Sabtu, 24 September 2011

[U964.Ebook] Download Ebook The Machinima Reader (MIT Press)From The MIT Press

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Over the last decade, machinima--the use of computer game engines to create movies--has emerged as a vibrant area in digital culture. Machinima as a filmmaking tool grew from the bottom up, driven by enthusiasts who taught themselves to deploy technologies from computer games to create animated films quickly and cheaply. The Machinima Reader is the first critical overview of this rapidly developing field. The contributors include both academics and artist-practitioners. They explore machinima from multiple perspectives, ranging from technical aspects of machinima, from real-time production to machinima as a performative and cinematic medium, while paying close attention to the legal, cultural, and pedagogical contexts for machinima. The Machinima Reader extends critical debates originating within the machinima community to a wider audience and provides a foundation for scholarly work from a variety of disciplines.This is the first book to chart the emergence of machinima as a game-based cultural production that spans technologies and media, forming new communities of practice on its way to a history, an aesthetic, and a market.

  • Sales Rank: #2803263 in Books
  • Published on: 2011-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .63" w x 7.00" l, 1.63 pounds
  • Binding: Hardcover
  • 360 pages

Review

"The essays are well written and thought provoking, and the uniqueness of the content ensures that many of these pieces will help form the foundation of scholarship on this rapidly growing field…Highly Recommended." -- B.H. McMillin, CHOICE

About the Author

Michael Nitsche is Assistant Professor at the School of Literature, Communication, and Culture at the Georgia Institute of Technology.



Henry Lowood is Curator for History of Science and Technology Collections and Film and Media Collections in the Stanford University Libraries.

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1 of 1 people found the following review helpful.
One of the first scholarly examinations of machinima
By S. Higley
A must-read for any theorist of machinima. Brilliant essays by leading scholars in a brand new field (such as Friedrich Kirschner, Jeffrey Bardzel, Henry Lowood and Matt Kelland), and blessedly NOT a how-to book on making machinima. This will be a landmark book in the history of a rapidly developing film art.

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Jumat, 23 September 2011

[J760.Ebook] Ebook Advanced Mechatronics: Monitoring and Control of Spatially Distributed Systems, by Dan Necsulescu

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This unique book extends mechatronics to spatially distributed systems. Issues regarding remote measurements and indirect monitoring and control of distributed systems is presented in the general framework of the recently developed ill-posed inverse problems. The book starts with an overview of the main results in the inverse problem theory and continues with the presentation of basic results in discrete inverse theory. The second part presents various forward and inverse problems resulting from modeling, monitoring and controlling mechanical, acoustic, fluid and thermal systems. Finally, indirect and remote monitoring and control issues are analyzed as cases of ill-posed inverse problems. Numerous numerical examples illustrate current approaches used for solving practical inverse problems.

Contents: Examples of Direct and Inverse Problems for Mixed Systems; Overview of Integral Equations and Discrete Inverse Problems; Inverse Problems in Dynamic Calibration of Sensors; Active Vibration Control in Flexible Structures; Acousto-Mechatronics; Thermo-Mechatronics; Magneto-Mechatronics; Inverse Problems Issues for Non-Minimum Phase Systems.

  • Sales Rank: #5365660 in Books
  • Brand: Brand: World Scientific Publishing Company
  • Published on: 2008-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.10" l, 1.35 pounds
  • Binding: Hardcover
  • 344 pages
Features
  • Used Book in Good Condition

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Selasa, 13 September 2011

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Animation in Context is an illustrated introduction to cultural theory, contextual research and critical analysis. By making academic language more accessible, it empowers animators with the confidence and enthusiasm to engage with theory as a fun, integral, and applied part of the creative process.

Interviews with contemporary industry professionals and academics, student case studies and a range of practical research exercises, combine to encourage a more versatile approach to animation practice – from creating storyboards to set designs and soundtracks; as well as developing virals, 3D zoetropes and projection mapping visuals.

Mark Collington focuses on a core selection of theoretical approaches that shape animation narrative, supported by a broader set of shared theoretical principles from the worlds of art, design, film and media studies. This discussion is underpinned by cross-disciplinary thinking on a range of topics including genre, humour, montage and propaganda.

These are applied to the analysis of a range of animated films and projects from Disney and Animé, to independent artist-filmmakers such as Wendy Tilby, Amanda Forbis and Jerzy Kucia. These ideas are also applied to other uses of animation such as advertising, sitcom, gaming and animated documentary.

  • Sales Rank: #533622 in Books
  • Published on: 2016-10-20
  • Released on: 2016-10-20
  • Original language: English
  • Dimensions: 10.62" h x .67" w x 8.25" l, .0 pounds
  • Binding: Paperback
  • 248 pages

Review
This textbook offers a thoughtful and lucid guide to students at all levels and enthusiasts of all ages, one which connects the theories, ideas and ideals which underpin animation to the work of the animator in practice. This is a fascinating, valuable and eminently readable work produced by an accomplished teacher and practitioner - a book whose use of examples from popular culture and from high art make the complexities of cultural theory not only accessible but also enjoyable. Its scope is broad, ambitious, often eclectic, and reassuringly civilizing. -- Alec Charles, Head of Media, University of Chester, UK I love how this book sneaks up on you, engaging you with an idea, illustrating it with mostly commonly known films, and once it has you hooked, pulling you deeper into more theory, more ideas and ultimately impacting your practice. -- R. Brad Yarhouse, Chair of Digital Media, Kendall College of Art and Design of Ferris State University, US

About the Author
Mark Collington is Course Leader for MA & BA (Hons) Animation at London Metropolitan University, UK.

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Selasa, 06 September 2011

[N566.Ebook] PDF Download Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music, by Anahid Kassabian

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Music is central to any film, creating a tone for the movie that is just as vital as the visual and narrative components. In recent years, racial and gender diversity in film has exploded, and the making of musical scores has changed drastically.

Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film . In the first section, "A Woman Scored," Kassabian analyzes desire and agency in the music of such films as Dangerous Liaisons, Desert Hearts, Bagdad Café, Dirty Dancing and Thelma and Louise. In "At the Twilight's Last Scoring," she looks at gender, race, sexuality and assimilation in the music of The Hunt for Red October, Lethal Weapon 2 and Indiana Jones and the Temple of Doom. And finally, in "Opening Scores," she considers how films such as Dangerous Minds, The Substitute, Mississippi Masala and Corrina, Corrina bring together several different entry points of identification through their scores.

Kassabian ensures that modern film criticism has a new chapter written through this book. Her important and long-overdue analysis is not to be ignored. Also includes eleven musical examples.

  • Sales Rank: #2323415 in Books
  • Published on: 2000-12-07
  • Released on: 2001-01-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .46" w x 6.00" l, .74 pounds
  • Binding: Paperback
  • 200 pages

Review

'Refreshing in dealing with films of the 1980s and 1990s. It is also relatively rare to find film music books that seriously explore scores that rely to a large extent on popular music tracks. Hearing Film is a useful volume.' - Senses of Cinema

'No longer an esoteric domain limited to a few specialists, the world of film sound tracks has finally come into its own, thanks to books like Anahid Kassabian's Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. Turning her attention from the (traditional, male, European) realm of classical Hollywood composers to the (contemporary, female, American) sphere of music supervisors and compiled scores, Kassabian brilliantly shows how contemporary film music anchors a gendered identification process. Hearing Film is not just first-rate scholarship, it's exciting reading!' - Rick Altman, University of Iowa Professor of Cinema and Comparative Literature

From the Back Cover
Music is central to any film, creating a tone for the movie that is just as vital as the visual and narrative components. In recent years, racial and gender diversity in film has exploded, and the making of musical scores has changed drastically. Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film.

After outlining the history of film scoring and discussing some basic techniques, Kassabian focuses on contemporary film sound tracks and the issues that they raise. In A WOMAN SCORED, Kassabian analyzes desire and agency in the music of such films as Dangerous Liaisons, Dirty Dancing, and Thelma and Louise. In AT THE TWILIGHT'S LAST SCORING, she looks at gender, race, sexuality, and assimilation in the music of The Hunt for Red October, Lethal Weapon 2, and Indiana Jones and the Temple of Doom. And, finally, in OPENING SCORES, she considers how films such as Dangerous Minds, Mississippi Masala, and Corrina, Corrina represent the best in contemporary scoring.

About the Author
Anahid Kassabian is Director of Postgraduate Research in the School of Music at the University of Liverpool, James and Constance Alsop Chair, and Editor of Music, Sound, and the Moving Image. She coedited the book Keeping Score: Music, Disciplinarity, Culture (1997) and has written numerous articles and book chapters on popular music, film music and feminist theory.

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Jumat, 02 September 2011

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Color and Design, by Marilyn DeLong

From products we use to clothes we wear, and spaces we inhabit, we rely on colour to provide visual appeal, data codes and meaning. Color and Design addresses how we understand and experience colour, and through specific examples explores how colour is used in a spectrum of design-based disciplines including apparel design, graphic design, interior design, and product design.

Through highly engaging contributions from a wide range of international scholars and practitioners, the book explores colour as an individual and cultural phenomenon, as a pragmatic device for communication, and as a valuable marketing tool.

Color and Design provides a comprehensive overview for scholars and an accessible text for students on a range of courses within design, fashion, cultural studies, anthropology, sociology and visual and material culture. Its exploration of colour in marketing as well as design makes this book an invaluable resource for professional designers. It will also allow practitioners to understand how and why colour is so extensively varied and offers such enormous potential to communicate.

  • Sales Rank: #1488700 in eBooks
  • Published on: 2013-08-01
  • Released on: 2013-08-01
  • Format: Kindle eBook

About the Author
Marilyn DeLong is Professor of Apparel Studies, College of Design, University of Minnesota, USA.

Barbara Martinson is Professor of Graphic Design, College of Design, University of Minnesota, USA.

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[L351.Ebook] Get Free Ebook Statistical Concepts for the Behavioral Sciences, by Harold O. Kiess

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Statistical Concepts for the Behavioral Sciences, by Harold O. Kiess

Statistical Concepts for the Behavioral Sciences, by Harold O. Kiess



Statistical Concepts for the Behavioral Sciences, by Harold O. Kiess

Get Free Ebook Statistical Concepts for the Behavioral Sciences, by Harold O. Kiess

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Statistical Concepts for the Behavioral Sciences, by Harold O. Kiess

  • Sales Rank: #4195802 in Books
  • Published on: 1989
  • Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
Came on time and worth the money
By Amazon Customer
It meet all of expectations

9 of 10 people found the following review helpful.
Good explanatory book
By Empyreal
I used this book for my psychological statistics course last semester. Although I have had teachers in the past who explained things more adequately, this book did a really good job explaining things for the most part. I almost always use examples to learn how to apply knowledge, as working through a problem step by step seems to be the best teacher to me. Fortunately, this book has a lot of examples. And, as a bonus, these examples apply towards the social sciences so you can see how everything fits in with a topic you're actually interested in (let's face it, few are interested in math).
I had already taken a statistics course in high school, so my stats class last year was pretty much a review for me. However, I wound up actually learning more than I planned to because of this book.
Overall, I recommend the book for anybody learning statistics.

1 of 1 people found the following review helpful.
It's OK
By Mary
The author makes some of his explanations more complicated than he needs to leading to confusion for the reader. For me, when any new theory needs to be explained, I prefer the KISS concept.

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