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The Children's Hour - Acting Edition, by Lillian Hellman
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
- Sales Rank: #120931 in Books
- Brand: Brand: Dramatists Play Service
- Published on: 1953-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 5.50" w x .25" l, .19 pounds
- Binding: Paperback
- 72 pages
- Used Book in Good Condition
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18 of 19 people found the following review helpful.
"Thou Shalt Not Bear False Witness Against Thy Neighbor"
By J. Remington
Lillian Hellman's magnificent, heart-wrenching, ground breaking and beautiful 1934 play takes the aforementioned commandment and creates a stunning cautionary tale that is not for the weak of heart. The perniciousness of lying and the often tragic consequences therein form the spine of this, Hellman's first major success on the Broadway stage.
Concerning a scandal at a private girl's school, Hellman bravely dramatizes the scars and cycles of abuse which result not only from lying but also from ignorance and cowardice. As I prepare this script for production in the fall of 2004, I find its themes timeless and as hard hitting as any contemporary work.
In Mary Tilford, Hellman has created one of the American Theatre's great villians. She serves as the literary model for "Rhoda" in THE BAD SEED as well as "Abigail" in THE CRUCIBLE. She is the embodiment of souless evil, intent on destroying all around her in order to advance her own status. She is the type of character that can truly, to quote RICHARD III, "Smile and murder whilst I smile". As my cast staged a rough read through, the hisses and rage she inspires is frightening.
Poetic without being obscure or pretentious, the dialouge is crisp and direct. Hellman's characters are three-dimensional and her pacing and story-telling is impeccable. I hope our production will do this great play justice.
As for any potential readers of this play: don't hestitate. Add this to you theatre library immediately.
38 of 39 people found the following review helpful.
The Children's Hour, a Great Play, is not for Cowards
By Peter Fenzel (curreo@aol.com)
Lillian Hellman's 1930's play of two boarding school teachers accused of being lesbians is not for the faint of heart or closed of mind. The play is very difficult to act, demanding of the two female leads absolute concentration, wide emotional range, and utter professionalism. It is also difficult to direct, as the script is very centered on dialogue with most of the central events occuring in the Greek style, outside of the scene. However, a skilled and dedicated cast and director can certainly create a beautiful and terrible prodution capable of seizing everyone in the house with the sheer force of its words. It is certainly just as fresh now, and perhaps even more so, than it was when it was written, sixty years ago. If you're looking to be challenged by a play, you could do little better than The Children's Hour.
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