Selasa, 21 Januari 2014

[L196.Ebook] Fee Download Satyajit Ray: In Search of the Modern (The Scarecrow Filmmakers Series), by Suranjan Ganguly

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Satyajit Ray: In Search of the Modern (The Scarecrow Filmmakers Series), by Suranjan Ganguly

Suranjan Ganguly's book examines in depth six of Ray's major films focusing on issues such as human subjectivity, the importance of education, the emancipation of women, the rise of the new middle class, and the crisis of identity in post-Independence India.

  • Sales Rank: #6053717 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 2007-02-03
  • Released on: 2007-02-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .63" w x 6.00" l, .65 pounds
  • Binding: Paperback
  • 208 pages
Features
  • Used Book in Good Condition

Review
Ganguly's meticulously researched study of the master, beautifully illustrated with examples of the brilliant camerawork of Ray's films, will be of immense help to the reader in situating his complex cinematic characters in the cultural context to which they belong. (Scope: An Online Journal of Film and Television Studies)

Recommended. (CHOICE, November 2007, Vol. 45, No. 3)

...provides a solid introduction to the themes and stylistics of the great Bengali director...Ganguly's useful bibliography makes this an excellent place for undergraduates to start. (CHOICE)

Satyajit Ray (1921-1992) revolutionized Indian film and is widely considered to be one of the great filmmakers of all time. In this work, Ganguly (U. of Colorado) examines Ray's negotiations with history and modernity in the six major films he made between 1955 and 1970: Pather Panchali, Aparajito, Apur Sansar, Charulata, Aranyer Din Ratri, and Pratidwandi. Overall, Ganguly sets himself the task of examining how Ray's films convey the filmmaker's belief that the modern is best understood as a total experience in relation to how people express themselves in a changing society, although more specific concerns such as Ray's preoccupation with subjectivity in contexts such as education, urban culture, and the management of grief; the nature of action in a society suspended between apathy and revolution; and writing as a form of female discourse frequently intrude. This is a paperbound edition of a work first published in 2000. (Reference and Research Book News, August 2007)

About the Author
Suranjan Ganguly teaches film at the University of Colorado at Boulder with a special emphasis on European and Asian cinema.

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Minggu, 19 Januari 2014

[I196.Ebook] Get Free Ebook Literature and Evil, by Georges Bataille

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Literature and Evil, by Georges Bataille

”Literature is not innocent,” Bataille declares in the preface to this unique collection of literary profiles. “It is guilty and should admit itself so.” The word, the flesh, and the devil are explored by this extraordinary intellect in the work of eight outstanding authors: Emily Bronte, Baudelaire, Blake, Michelet, Kafka, Proust, Genet and De Sade.

Born in France in 1897, Georges Bataille was a radical philosopher, novelist and critic whose writings continue to exert a vital influence on today's literature and thought.

  • Sales Rank: #526584 in Books
  • Published on: 2001-04-01
  • Original language: French
  • Number of items: 1
  • Dimensions: 7.90" h x .40" w x 5.10" l, .36 pounds
  • Binding: Paperback
  • 208 pages

Language Notes
Text: English, French (translation)

About the Author
Georges Bataille was born in France in 1897 and died in 1962. He was a philospher, novelist and critic who wrote on a wide range of topics, including eroticism, religion, anthropology and art, continuing to exert a vital influence on today's literature and thought. Other works published by Marion Boyars include Blue of Noon, My Mother Madame Edwarda and the Dead Man and Literature and Evil.

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0 of 0 people found the following review helpful.
Literature IS evil.
By steward
Bataille conducts a review of several authors with relation to evil, and whether or not all of literature could potentially be evil or just certain authors. He has wry, cogent remarks such as "Her short life was only moderately unhappy." Bataille writes to the part of the brain that is emotional, as well as the analytical, and is all the much better for that - but if you expect philosophy to be dry as dust, you'll wonder how he could be called a philosopher instead of the literary equivalent of a panderer.

26 of 27 people found the following review helpful.
Literature and Evil
By TheIrrationalMan
Georges Battaille throws down a challange to Jean-Paul Sartre, who held that "literature is inncocent". Bataille, in his examination of such figures as Emily Bronte, Sade, Baudelaire, Genet, Kafka and Michelet, and the component of "evil" in their works, argues that literature is, in fact, "guilty" and that, moreover, it must acknowledge itself as such. In his reading of these literary figures, Bataille proceeds to analyse literature's complicity with evil and how this enables it reach a fuller level of communication. Drawing on Freud, he "eroticises" literary creativity and contends that the notion of "Art for art's sake", which emerges as a reaction to a fragmented and reified social world dominated by utilitarianism and commodity fetishism, is actually a subterfuge, literature masquerading as innocent under the mantle of "pure art", in order to rechannel the forces that are dammed up owing to the repressions imposed by culture. Though elliptical and opaque, this book is a challenging and fascinating study, which has a potential for laying the foundations for a philosophy of composition that underwrites the aesthetic of evil and explores its relation to the overarching forces of institutional and administrative surveillance.

15 of 17 people found the following review helpful.
The Death Drive in literature
By eddie.marcus@innocent.com
In this short (and at times very difficult) collection of essays, Bataille challenges Sartre's view that "literature is innocent". A selective survey of key writers - including Bronte, Genet and Sade - shows that literature is a necessary antidote to the overarching Superego and Capitalism's emphasis on the Reality Principle. In this way, Bataille shows that literture is in fact evil, in that it is anti-utilitiarian and thus embedded in the childish Pleasure Principle. While Bataille seems to alternate between ascribing the driving force of literature to both the Life Drive (Eros) and the Death Drive (Thanatos), he does succeed in showing how Freud - although he never explicitely invokes the name - can be used for a new method of reading literature.

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Jumat, 17 Januari 2014

[N173.Ebook] Free Ebook On the Aesthetic Education of Man in a Series of Letters (English and German Edition), by J. C. F. von Schiller

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On the Aesthetic Education of Man in a Series of Letters (English and German Edition), by J. C. F. von Schiller

Schiller's 1795 essay on the educative function of art is one of the most important contributions to the history of ideas in modern times. This English-German parallel text edition includes a long analytical introduction and extensive notes.

  • Sales Rank: #474780 in Books
  • Published on: 1983-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.44" h x 1.02" w x 8.44" l, 1.63 pounds
  • Binding: Paperback
  • 572 pages

Review

"An indispensable aid to any serious study of Schiller...noone who cares about the place of the arts in human life and about their role in modern society can afford to ignore it."--W. Witte, Modern Language Review


Language Notes
Text: English, German

About the Author
Johann Christoph Friedrich von Schiller (1759-1805), usually known as Friedrich Schiller, was a German poet, philosopher, historian, and dramatist.

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46 of 46 people found the following review helpful.
Excellent edition of an excellent work.
By John Russon
Writing in the 1790s, Schiller united the rigorous epistemology of Kant and Fichte with Plato's dynamic account of the development of the soul to produce one of the most beautiful works of philosophy in the European tradition. The Letters on Aesthetic Education offer an interpretation of the development of the individual and the parallel development of Western civilization. These interpretations focus on the conditions that allow for mental health in a human individual and society, and especially demonstrate (as the title indicates) the crucial role of artistic experience in healthy human development. This is a great work, and a great introduction to the other German philosophers of the 19th Century (Hegel, Schopenhauer, Nietzsche, et al). This edition is very good: the translation is good, and it has a facing German text. Highly recommended.

16 of 17 people found the following review helpful.
Classic of aesthetics written by a great poet
By Glenn Russell
Aesthetics is the branch of philosophy addressing beauty, taste, art and the sublime. After studying what philosophers have to say on this topic, it is refreshing to read the philosophical reflections on aesthetics by Friedrich Schiller (1769-1805), a man who was not only a first-rate thinker but a great poet and playwright. And Schiller tells us he is drawing his ideas from his life rather than from books and is pleading the cause of beauty before his very own heart that perceives beauty and exercises beauty's power.

Writing at the end of the 18th century, Schiller reflects on the bitter disappointment of the aftermath of the French Revolution where an entire society degenerated into violence. What can be done? As a true romantic, he sees beauty and art coming the rescue.

Schiller writes how idealized human nature and character development is a harmonizing and balancing of polarities - on one side we have the rational, that is, contemplative thought, intelligence and moral constraint and on the other side we have the sensual, feeling, physical reality. Lacking this balance, harmony and character, Schiller perceives widespread disaster for both lower and higher social classes, that is, people of the lower classes living crude, coarse, lawless, brutal lives and people of the higher, civilized classes are even more repugnant, living lethargic, slothful, passive lives. Not a pretty picture, to say the least.

We might think scientists or hard working business people might stand a better chance at achieving balance, harmony and character. Sorry; the news is not good here either. Schiller writes, "But the predominance of the analytical faculty must necessarily deprive the fancy of its strength and its fire, and a restricted sphere of objects must diminish its wealth. Hence the abstract thinker very often has a cold heart, since he analyzes the impressions which really affect the soul only as a whole; the man of business has very often a narrow heart, because imagination, confined within the monotonous circle of his profession, cannot expand to unfamiliar modes of representation."

So, what must be done to restore a population's needed balance, harmony and character? Again, for Schiller, beauty and art to the rescue. One key idea in making beauty and art a central component of people's lives is what he terms `the play drive'. Schiller writes: "Man plays only when he is in the full sense of the word a man, and he is only wholly man when he is playing" By play, Schiller doesn't mean frivolous games, like a mindless game of cards; rather, play for Schiller is about a spontaneous and creative interaction with the world.

To flesh out Schiller's meaning of play, let's look at a couple of examples. In the morning you consult your auto manual to fix a problem with the engine and then in the afternoon you examine a legal document to prepare to do battle in court. Since in both cases you are reading for a specific practical purpose or goal, according to Schiller, you are not at play. In the evening you read a Shakespeare play. You enjoy the beauty of the language and gain penetrating insights into human nature. Since your reading is not bound to any practical aim, you are free to let your imagination take flight and explore all the creative dimensions of the literary work. According to Schiller, you are `at play' and by such playing in the fields of art and beauty, you are free.

And where does such play and spontaneous creativity ultimately lead? Schiller's philosophy is not art-for-art's sake, but art for the sake of morality and freedom and truth. If Schiller could wave a magic wand, everybody in society would receive an education in beauty by way of art, literature and music. And such education would ultimately nurture a population of men and women with highly developed aesthetic and moral sensibilities who could experience the full breathe and depth of what it means to be alive. Or, to put it another way, with a restored balance, harmony and character, people would no longer be slaves to the little world of their gut or the restricted world of their head, but would open their hearts and directly experience the fullness of life. And experiencing the fullness of life, for Schiller, is true freedom.

How realistic is Schiller's educational program as a way of transforming society? Perhaps being realistic is not exactly the issue. After all, Frederick Schiller was an idealist. He desired to see a society of men and women appreciating art and beauty and having their aesthetic appreciation color everyday behavior, so much so that their dealings and activity in the world would serve as a model of noble, moral conduct for all ages. Not a bad vision.

6 of 7 people found the following review helpful.
Schiller's aesthetic reflections
By M. Skoutas
Friedrich Schiller composed in a series of 'letters' a profound, stimulating and important reflection on the relevance of our aesthetic experience. He was influenced by his contemporary Immanuel Kant and goes on to explore the implications that emerge from our understanding of the sublime in relation to culture, society and our own edification. His short and erudite expositions reflect his response to the tumultuous times that existed at the end of the 18th Century. His 'letters' are insightful of a man who wants his readers to make a difference to the ennoblement of life rather than descend to the easy pursuit of the superficialities that are just as obvious in our lives today.

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Selasa, 14 Januari 2014

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  • Sales Rank: #692562 in Books
  • Published on: 1982-01-01
  • Binding: Paperback

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Swift story, delicious romantic competition of wills
By A Customer
from cover:
Stare for stare, she matched him, her blue eyes an impenetrable barrier against his as he probed for her slightest weakness, then arrogantly asked, "Where did you meet my mother? Are you expecting a free ride?"

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Senin, 13 Januari 2014

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Les Cahiers de calligraphie et de typographie présentent des manuels, traités ou Å“uvres originales de calligraphie et de typographie, à l’attention des amateurs comme des professionnels.

Ce volume numéro 1 présente les fac-similés en grand format pleine page d’une centaine d’exercices et de démonstrations du célèbre maître d’écriture Jan Van de Velde l’Ancien, initialement réunis dans l’édition originale de 1605 de Deliciae variarum, insigniumque scriptuarum. Bien que Jan Van de Velde l’Ancien soit néerlandais, il enseignait le français et écrivait beaucoup dans cette langue, comme c’est le cas pour toutes les prouesses calligraphiques présentées dans cet ouvrage.

  • Sales Rank: #7689567 in Books
  • Published on: 2014-09-09
  • Original language: French
  • Number of items: 1
  • Dimensions: 11.00" h x .25" w x 8.50" l, .60 pounds
  • Binding: Paperback
  • 110 pages

About the Author
Jan Van de Velde dit "l’Ancien", né à Anvers en 1568, décédé à Haarlem en 1623, a été un maître-écrivain néerlandais, et demeure aujourd’hui l’un des plus grands calligraphes occidentaux ayant jamais vécu. Il est aussi le père du dessinateur et graveur néerlandais Jan Van de Velde dit "le Jeune" (1593-1641), et de Willem Van de Velde dit l’Ancien (1611-1693), peintre et dessinateur néerlandais, lui-même le père du célèbre peintre de marine Willem Van de Velde (1633-1707) dit "le Jeune".

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Senin, 06 Januari 2014

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  • Sales Rank: #6624843 in Books
  • Published on: 1709
  • Binding: Paperback

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Sabtu, 04 Januari 2014

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  • Sales Rank: #8515011 in Books
  • Dimensions: 9.00" h x .10" w x 6.00" l, .25 pounds
  • Binding: Paperback
  • 33 pages

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